d356 120727 Ink Drawings

In the future, I might look at the content in this post as a turning point. Then again, I might not.

Previously, my relationship with ink has been a downhill journey at best. When I first started doodling in preschool or elementary school, I used all sorts of permanent drawing tools including pens and markers and crayons and whatnot. Back then I don’t think my drawing sense had any concept of “rightness”, so I don’t think there was ever anything “wrong”, and as such, there was never any need to erase. As late as the first adventures of BKS this still appeared to be the case.

That being said, that first comic was probably one of the last of its kind, and ink doesn’t show up again until 2002, when I did a series of pen and colored pencil “paintings”. The pen was, of course, only used to trace the original lineart such that the colored pencil didn’t smear anything. A little later, I made an attempt to implement ink in my normal drawing process, but that clearly didn’t pan out.

It was only much, much later in 2010, that I finally turned out some decent drawings in pen, albeit for a class. I even attempted to ink a figure in pen, but ultimately, I went back to pencil for another two years. Ink came back in 2012, but it was, yet again, a matter of tracing completed pencil… until now.

This chapter actually starts in June, when I asked J for a topic to draw. He suggested “neoclassical”, and I sat on it for a while. I had something in mind, and I made a thumbnail or two, but for whatever reason, I didn’t get started in earnest until just a few days ago. For whatever reason, and I’m not really sure if this was premeditated, I started in pencil and decided to throw some pen in there, not as a trace, but as the original lines. Ultimately what resulted from J’s suggestion is this monstrosity:

And that is what I believe to be the turning point.

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d354 120715 Misuzu Kamio 2012

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Another post, another redraw painting. We are going further back in time now; the original here is from 2006. This redraw was actually completed at the start of June, but stuff happened, and it just didn’t get posted ’til now. Like Fate 2012, Misuzu 2012 is drawn with ink, and colored primarily with cell-shading, though the shadow in the background is done with “traditional” painting. Next painting will be another semi-experimental (though it may be forever before it gets posted)

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